The title borrows the spirit of the great soul era, and it sits naturally in Marrow's world: her studio practice draws on old books, magazines and record covers found at car boot sales and charity shops, and she has said her husband's extensive record collection is a great source of inspiration, alongside the innocence and romance of old musicals. Whatever scene she has set, expect her signature recipe: bold saturated colour, hand-drawn detail and a surprising juxtaposition that turns a mundane moment into a story. A mid-size 56 × 56cm hand-pulled screen print from an edition of 75, an accessible original print rather than a reproduction.

Anna Marrow has been working as a printmaker, illustrator and image-maker for 20 years. She studied Fine Art at UWE Bristol, then Communication Design at Central Saint Martins (MA with distinction, specialising in illustration), and now draws at home and prints at Spike Print Studio, Bristol, working with household paints, biros, fine liners, pencil crayons and screen print. Most of her prints begin as biro and ink drawings in her sketchbook, are developed into collages, and later become screen prints. She has been commissioned by The Guardian, Selfridges, Heals, Polydor Records and the BBC, has been selected for the Royal Academy Summer Exhibition (2024) and The Other Art Fair, and describes her concerns as "detail, specific drawing, surprising colour, composition, and believable story telling".

Edition: 75
Signed: Yes, hand-pulled, signed and numbered by the artist
Medium: Screen print with water-based inks on 350gsm acid-free Somerset satin paper
Paper size: 56 × 56cm
Year: [confirm with stock – not published on the listings]
Certificate: Accompanied by certificate of authenticity